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{\fhimajor\f31531\fbidi \fswiss\fcharset161\fprq2 Calibri Light Greek;}{\fhimajor\f31532\fbidi \fswiss\fcharset162\fprq2 Calibri Light Tur;}{\fhimajor\f31535\fbidi \fswiss\fcharset186\fprq2 Calibri Light Baltic;}
{\fhimajor\f31536\fbidi \fswiss\fcharset163\fprq2 Calibri Light (Vietnamese);}{\fbimajor\f31540\fbidi \froman\fcharset0\fprq2 Times New Roman{\*\falt Times New Roman};}
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{\fbimajor\f31546\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese){\*\falt Times New Roman};}{\flominor\f31550\fbidi \froman\fcharset0\fprq2 Times New Roman{\*\falt Times New Roman};}
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{\flominor\f31556\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese){\*\falt Times New Roman};}{\fdbminor\f31560\fbidi \froman\fcharset0\fprq2 Times New Roman{\*\falt Times New Roman};}
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{\fdbminor\f31562\fbidi \froman\fcharset162\fprq2 Times New Roman Tur{\*\falt Times New Roman};}{\fdbminor\f31563\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew){\*\falt Times New Roman};}
{\fdbminor\f31564\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic){\*\falt Times New Roman};}{\fdbminor\f31565\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic{\*\falt Times New Roman};}
{\fdbminor\f31566\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese){\*\falt Times New Roman};}{\fhiminor\f31570\fbidi \fswiss\fcharset0\fprq2 Calibri{\*\falt Century Gothic};}
{\fhiminor\f31569\fbidi \fswiss\fcharset204\fprq2 Calibri Cyr{\*\falt Century Gothic};}{\fhiminor\f31571\fbidi \fswiss\fcharset161\fprq2 Calibri Greek{\*\falt Century Gothic};}
{\fhiminor\f31572\fbidi \fswiss\fcharset162\fprq2 Calibri Tur{\*\falt Century Gothic};}{\fhiminor\f31575\fbidi \fswiss\fcharset186\fprq2 Calibri Baltic{\*\falt Century Gothic};}
{\fhiminor\f31576\fbidi \fswiss\fcharset163\fprq2 Calibri (Vietnamese){\*\falt Century Gothic};}{\fbiminor\f31580\fbidi \froman\fcharset0\fprq2 Times New Roman{\*\falt Times New Roman};}
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{\fbiminor\f31582\fbidi \froman\fcharset162\fprq2 Times New Roman Tur{\*\falt Times New Roman};}{\fbiminor\f31583\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew){\*\falt Times New Roman};}
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\f2\fs24\cf1\lang1045\langfe1045\cgrid\langnp1045\langfenp1045 {\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Niepozorny dyrektor i wielkie jego dzie\'b3o}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Ku ko\'f1cowi 1912 roku gruchn\'ea\'b3a w\'9cr\'f3d aktorskiej braci sensacyjna wiadomo\'9c\'e6, \'bfe jaki\'9c niedowarzony m\'b3okos z Krakowa przedsi\'eawzi\'b9\'b3 zbudo\-
wanie w stolicy wspania\'b3ego, najnowocze\'9cniejszego gmachu teatralnego i pragnie zorganizowa\'e6 w nim artystyczn\'b9 imprez\'ea, kt\'f3ra mia\'b3aby zakasowa\'e6 nawet wspania\'b3y Teatr Rozmaito\'9cci. Ta ma\'b3o prawdopodobna nowina zosta\'b3a w 
\'9cwiecie teatralnym przyj\'eata z pe\'b3\-nym i zupe\'b3nie zreszt\'b9 zrozumia\'b3ym sceptycyzmem. Po kilku jednak miesi\'b9cach ukaza\'b3a si\'ea w sto\'b3ecznych pismach wiadomo\'9c\'e6, \'bfe jaki\'9c m\'b3ody cz\'b3owiek, krako\-
wianin, istotnie wyst\'eapuje z tymi nieprawdopodobny\-mi zamiarami. Ju\'bf samo uzyskanie w owej epoce ze\-zwolenia carskich w\'b3adz (kt\'f3rych naczelnym zadaniem by\'b3o gwa\'b3towne rusyfikowanie wszystkiego co polskie) by\'b3o wr\'eacz marzeniem 
\'9cci\'eatej g\'b3owy. A poza tym stro\-na finansowa? Nieznany bowiem m\'b3odzik by\'b3 go\'b3y jak turecki \'9cwi\'eaty, a olbrzymi fundusz, potrzebny na ku\-pienie placu i wystawienie wspania\'b3ego, monumental\-nego gmachu teatralnego, mia\'b3 zebra
\'e6 drog\'b9 dobrowol\-nych sk\'b3adek. Obydw}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 a warunki tej wr\'eacz dzikiej ini}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 cjatywy wygl\'b9da\'b3y absurdalnie. Tymczasem po up\'b3y
\-wie kilku miesi\'eacy wiele wybitniejszych jednostek z polskiego aktorstwa otrzyma\'b3o listown\'b9 propozycj\'ea zaanga\'bfowania si\'ea do nowej imprezy, podpisan\'b9: dr Arnold Szyfman. Sprawa wygl\'b9da\'b3a ju\'bf realnie.}{\rtlch\fcs1 \af0 
\ltrch\fcs0 \f0\cf0\insrsid14489730 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Istotnie, dwudziestokilkoletni absolwent Uniwersytetu Jagiello\'f1skiego, ma\'b3y, szczup\'b3y, pe\'b3en temperamentu i niezwyk\'b3ej ruchliwo\'9cci, o wielkich, marz\'b9cych i jed\-nocze
\'9cnie nies\'b3ychanie bystro spogl\'b9daj\'b9cych sarnich oczach, potrafi\'b3, zgo\'b3a nikomu nie znany, w stolicy zorganizowa\'e6 towarzystwo budowy Teatru Polskiego i zebra\'e6 w\'9cr\'f3d miejscowej plutokracji i arystokracji poka\'9fn\'b9 kwot\'b9
 pieni\'eadzy, pomimo \'bfe wobec tych ludzi nie reprezentowa\'b3 w\'b3a\'9cciwie nic i nie m\'f3g\'b3 wykaza\'e6 si\'ea \'bfadnym czynem,}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730  kt\'f3ry m\'f3g\'b3by ujawni\'e6 jego admi}{\rtlch\fcs1 \af0 
\ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 nistracyjny talent. A jednak po kilku miesi\'b9cach na zakupionym przy ulicy Karasia placu przyst\'b9piono do budowy nowoczesnego, obszernego, wygodnego, stylo\-
wego gmachu teatralnego pod kierunkiem jednego z naszych czo\'b3owych w owej epoce architekt\'f3w, profe\-sora Przybylskiego.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Najtrudniejsze by\'b3y oczywi\'9ccie pierwsze kroki, bo kiedy mieszka\'f1cy Warszawy zobaczyli wznosz\'b9ce si\'ea mury nowego budynku, wtedy realno\'9c\'e6 ambitnego za\-
mierzenia dyrektora Szyfmana nie budzi\'b3a ju\'bf \'bfadnych w\'b9tpliwo\'9cci. Prezesem towarzystwa i jego inspirato\-rem by\'b3 Tomasz hrabia Potocki, cz\'b3owiek niezwykle rzutki, energiczny, szczerze rozmi\'b3owany w teatrze i jego kulturalno-o\'9c
wiatowej roli. Dr Szyfman i hr. Po\-tocki rozpocz\'eali podr\'f3\'bf po o\'9crodkach teatralnych wszystkich trzech zabor\'f3w Polski, wy\'b3awiaj\'b9c co cie\-kawszy i zdolniejszy element aktorski. Jednym z eta\-p\'f3w tej organizacyjnej podr\'f3\'bfy, kt
\'f3rej celem by\'b3o stworzenie zespo\'b3u artystycznego, okaza\'b3a si\'ea \'a3\'f3d\'9f. Otrzyma\'b3em pismo zapraszaj\'b9ce, abym danego dnia po przedstawieniu zg\'b3osi\'b3 si\'ea do gabinetu jednej z reno\-mowanych restauracji \'b3\'f3dzkich dla om
\'f3wienia z dr. A. Szyfmanem sprawy ewentualnego mojego zaanga\-\'bfowania si\'ea do nowo powstaj\'b9cej wielkiej imprezy artystycznej. Najs}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 taranniej wygolony, w nowym gar}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\insrsid14489730\charrsid8725195 niturze, wszed\'b3em o godzinie jedenastej do zacisznego}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730  }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 gabinetu, gdzie zasta\'b3em dw\'f3
ch ludzi: powa\'bfnego, pi\'ea\'e6\-dziesi\'eacioletniego, w\'b9satego jegomo\'9ccia o marsowym spojrzeniu i wytworn}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 ych manierach i m\'b3odego, niedo}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\insrsid14489730\charrsid8725195 warzonego, niezmie}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 rnie ruchliwego i czynnego smar}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 kacza, kt\'f3rego wzi\'b9\'b3em za jakiego\'9c
 sekretarzyka czy innego pomagiera dojrza\'b3ego jegomo\'9ccia, w kt\'f3rym oczywi\'9ccie widzia\'b3em przysz\'b3ego mojego dyrektora. Po dw\'f3ch godzinach musia\'b3em radykalnie zmieni\'e6 zdanie. Przekona\'b3em si\'ea, \'bfe m\'b3ody, smarkaczowaty kr
\'eacipi\'eata, kt\'f3ry przeprowadzi\'b3 ze mn\'b9 niezmiernie rzeczow\'b9 i gruntownie fachow\'b9 konferencj\'ea, jest w\'b3a\'9cnie samym panem dyrektorem, podczas gdy \'f3w drugi, dojrza\'b3y m\'ea\'bfczyzna, by\'b3 raczej jego pomocnikiem, a w najlep
\-szym razie wsp\'f3\'b3dzia\'b3aczem. Tego pami\'eatnego wie\-czoru podpisa\'b3em kontrakt, na mocy kt\'f3rego sta\'b3em si\'ea cz\'b3onkiem zespo\'b3u artystycznego Teatru Polskiego w Warszawie z przyzwoit\'b9 ga\'bf\'b9
 i z zapewnionym tzw. stanowiskiem. Odt\'b9d przez d\'b3ugie lata by\'b3em zwi\'b9zany z dyrektorem Szyfmanem i zawodowo, i towarzysko i \emdash  poza kilkoma tylko kr\'f3tkotrwa\'b3ymi przerwami \emdash  przez czterdzie\'9cci prawie lat pracowa\'b3
em w Teatrze Polskim. Wielkie i \emdash  jak si\'ea pierwotnie wydawa\'b3o \emdash  wr\'eacz niemo\'bfliwe do zrealizowania ambicje zosta\'b3y w ca\'b3o\'9cci usprawiedliwione. Stolicy przyby\'b3 kapitalny, wyposa\'bf
ony we wszystkie nowoczesne zdobycze tech\-niczne (na ow\'b9 epok\'ea), obszerny, mieszcz\'b9cy tysi\'b9c sto os\'f3b, bardzo stylowy, posiadaj\'b9cy scen\'ea obrotow\'b9 (pierwsz\'b9 na ziemiach polskich!), najnowocze\'9cniejsze o\'9c
wietlenie, obszerne zaplecze, magazyny i pracow\-nie \emdash  budynek teatralny. A w nim naprawd\'ea doboro\-wy zesp\'f3\'b3 artyst\'f3w, mog\'b9cy pokusi\'e6 si\'ea o szlachetn\'b9 rywalizacj\'ea z Rozmaito\'9cciami: Stanis\'b3awa Wysocka, Maria Przyby
\'b3ko-Potocka, Laura Dunin, Maria Dul\'eaba, Seweryna Bronisz\'f3w}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 na, Edmund Wejchert, J\'f3zef i Ma}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 ksymilian bracia W\'ea
grzynowie, Jerzy Leszczy\'f1ski, Ste\-fan Jaracz, J\'f3zef Sosnowski, W\'b3adys\'b3aw Grabowski}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730  }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 i ca\'b3a plejada wybitnych, dojrza
\'b3ych artyst\'f3w, obok du\'bfego zast\'eapu m\'b3odszych, \'9cwietnie si\'ea zapowiadaj\'b9\-cych koleg\'f3w.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Sezon rozpocz\'eato wspania\'b3ym \'84Irydionem\'94 Krasi\'f1\-skiego, w kt\'f3rej to sztuce gra\'b3em male\'f1k\'b9, zdecydo\-wanie drugoplanow\'b9 posta\'e6 dow\'f3dcy stra\'bfy pa\'b3
acowej. Wra\'bfenia tego wieczoru pozosta\'b3y niezatarte a\'bf do ko\'f1ca \'bfycia. Niezwykle podnios\'b3y nastr\'f3j na widowni i w\'9cr\'f3d nas, wykonawc\'f3w, sugerowa\'b3 nam pewno\'9c\'e6, \'bfe w dziejach kultury polskiej na odcinku sztuki tea\-
tralnej dzieje si\'ea co\'9c niepowszedniego, wr\'eacz wielkie\-go, co przejdzie do historii teatru jako pocz\'b9tek nowe\-go, ciekawego okresu.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Teatr Polski poza tym, \'bfe da\'b3 stolicy w ca\'b3ym tego s\'b3owa znaczeniu nowoczesny teatr w \'9cwietnie do wy\-maga\'f1 tego rodzaju sztuki przystosowanym gmachu, spe\'b3ni\'b3
 jeszcze drugie, nie mniej wa\'bfne zadanie. Od\-dzia\'b3ywa\'b3 wyra\'9fnie podniecaj\'b9co na drzemi\'b9cy na laurach Teatr Rozmaito\'9cci. Dopiero od chwili powstania Teatru Polskiego kierownictwo Rozmaito\'9cci zrozumia\-\'b3o, \'bfe poza wspania\'b3
ym, najlepszym w Polsce zespo\'b3em artystycznym trzeba koniecznie podci\'b9gn\'b9\'e6 i wszyst\-kie inne, tzw. drugorz\'eadne czynniki, kt\'f3re \emdash  mo\'bfe same w sobie nie decyduj\'b9ce, ale wa\'bfne dla ca\'b3o\'9cci \emdash  nie mog\'b9
 reprezentowa\'e6 teatru sprzed stu lat.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Przyszed\'b3 rok 1914 i wybuch pierwszej wojny \'9cwia\-towej. Zar\'f3wno dyrektor Szyfman, jak i cz\'ea\'9c\'e6 koleg\'f3w (Wysocka, Jaracz, Osterwa, Brydzi\'f1
ski, Drabik itd.) jako poddani austriaccy zostali wysiedleni z Warszawy i skierowani w g\'b3\'b9b Rosji. Oparli si\'ea w Moskwie, w kt\'f3rej pozostawali przez dwa lata, syc\'b9c si\'ea wspa\-nia\'b3ymi miejscowymi teatrami, a zw\'b3aszcza przoduj\'b9\-
cym, genialnym Moskiewskim Teatrem Artystycznym (MCHAT), wiekopomnym dzie\'b3em wielkiego reforma\-tora i tw\'f3rcy wspania\'b3ej teorii gry aktorskiej, znanego artysty Konstantego Stanis\'b3awskiego. Ten d\'b3ugi pobyt}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\cf0\insrsid14489730  }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 naszych czo\'b3owych ludzi teatru (a przede wszystkim Juliusza Osterwy) w Moskwie sta\'b3 si\'ea \'9fr\'f3d\'b3em naro\-
dzin idei stworzenia w Warszawie rewolucyjnej impre\-zy teatralnej, po\'b3\'b9czonej ze szkoleniem i wychowywa\-niem nowych kadr narybku aktorskiego. Innymi s\'b3owy, sta\'b3 si\'ea sprawc\'b9 narodzin Reduty, kt\'f3ra odegra\'b3a nie\-zwykle wa\'bfn\'b9
 rol\'ea w historii teatru polskiego. G\'b3\'f3wne zdobycze Reduty mo\'bfna sprowadzi\'e6 do nast\'eapuj\'b9cych osi\'b9gni\'ea\'e6: a) stworzenie pierwszego w Polsce teatru na zasadzie gry zespo\'b3owej (bez gwiazdorstwa); ka\'bfdy bowiem \'84redutowiec
\'94, niezale\'bfnie od tzw. stanowiska, gra\'b3 zar\'f3wno pierwszorz\'eadne, jak i ma\'b3o wa\'bfne, epi\-zodyczne role; b) wprowadzenie nie znanej dot\'b9d u nas szczeg\'f3\'b3owej analizy}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 
 tekstu granego utworu; c) nie}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 wymienianie na afiszach i w programach wykonaw\-c\'f3w poszczeg\'f3lnych r\'f3l i nieukazywanie si\'ea aktor\'f3w przed kurtyn\'b9 na brawa po zako\'f1
czeniu aktu czy te\'bf sztuki; d) osi\'b9gni\'eacie najwy\'bfszego poziomu etyki za\-wodowej. Niezale\'bfnie od wielu brak\'f3w i niedoci\'b9gni\'ea\'e6 czy mo\'bfe nawet niekiedy \'9cmiesznostek, Reduta \emdash  ju\'bf chocia\'bfby przez wyra\'9f
ne i konsekwentne ho\'b3dowanie czterem wy\'bfej wymienionym zasadom \emdash  stworzy\'b3a ca\'b3kowicie nowoczesny, zrywaj\'b9cy z dotychczasowym szablonem i sztamp\'b9, naprawd\'ea tw\'f3rczy, post\'eapowy teatr. A imiona jego tw\'f3rc\'f3w (bo Osterwa 
dzia\'b3a\'b3 przy wyra\'9fnej pomocy Mieczys\'b3awa Limanowskiego) zosta\-\'b3y chlubnie zapisane w\'9cr\'f3d czo\'b3owych tw\'f3rc\'f3w teatru w Polsce.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Po wyje\'9fdzie dyrektora Szyfmana i wielu innych koleg\'f3w do Rosji, w teatrze rz\'b9dzi\'b3a tzw. dzia\'b3\'f3wka i te dwa lata (a\'bf do momentu powrotu dyrektora) zu\-pe\'b3
nie nie obni\'bfy\'b3y znaczenia i nie umniejszy\'b3y uzna\-nia, jakim Teatr Polski, zas\'b3u\'bfenie zreszt\'b9, cieszy\'b3 si\'ea w\'9cr\'f3d publiczno\'9cci i krytyki stolicy. W okresie rz\'b9d\'f3w \'84dzia\'b3\'f3wki\'94 Teatr Polski wystawi\'b3 z du
\'bfym powodze\-niem takie sztuki, jak: \'84Niebieski ptak\'94 Maeterlincka,}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195  }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 \'84Car Pa}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\insrsid14489730 we\'b3\'94 Mere\'bfkowskiego, \'84\'afywy trup\'94}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195  To\'b3stoja, \'84Pan Purceaugnac\'94 Moliera itd. Na lata 1918\emdash 1930 mniej wi\'ea
cej przypada okres najbujniejszego rozkwitu i najwy\'bfszego poziomu osi\'b9gni\'ea\'e6 Teatru Polskiego. W tym czasie ni\'bfej podpisany dwukrotnie opuszcza\'b3 Teatr Polski (za ka\'bfdym razem nie d\'b3u\'bfej ni\'bf na jeden sezon), bawi\'b3 na wyst
\'eapach w teatrze krakowskim i zorganizowa\'b3 w\'b3asny teatr w Wilnie, z\'b3o\'bfony wy\'b3\'b9cz\-nie niemal ze swoich uczni\'f3w (Eichler\'f3wna, Ma\'b3ynicz, Niwi\'f1ska, Jan Kreczmar, Wyrzykowski, Milecki, Cie\-cierski i inni), chc\'b9c}{
\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730  w ten spos\'f3b jak gdyby wypr\'f3bo}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 wa\'e6 gotowo\'9c\'e6 bojow\'b9 absolwent\'f3w swojej szko\'b3y.}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\cf0\insrsid14489730\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 Og\'f3lnie trzeba powiedzie\'e6, \'bfe Teatr Polski, kt\'f3ry mia\'b3 wiele wielkich wzlot\'f3w i oczywi\'9ccie kilka okre\-s\'f3w stosunkowo mniejszej aktywno\'9cci, odegra\'b3 zdecy\-
dowan\'b9 rol\'ea w historii teatru w Polsce. A nale\'bfy to przypisa\'e6 w ca\'b3o\'9cci niemal osobie dyrektora Szyfmana. Ten cz\'b3owiek, obdarzony fanatyczn\'b9 pasj\'b9 teatru i nie mniejsz\'b9 praktyczn\'b9 znajomo\'9cci\'b9 wszystkich zagadnie\'f1
 z nim zwi\'b9zanych, nadludzko pracowity, pe\'b3en wiel\-kiego talentu organizacyjno-administracyjnego, ogar\-niaj\'b9cy z r\'f3wn\'b9 \'b3atwo\'9cci\'b9 wszystkie zagadnienia eko\-nomiczne i artystyczne, rzetelny artysta, ciekawy re\-\'bfyser, przemi
\'b3y w stosunkach ze swoimi wsp\'f3}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730 \'b3pracow}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid14489730\charrsid8725195 nikami i wysoce kulturalny szef, mia\'b3 poza tym nie\-prawdopodobne szcz\'ea\'9c
cie w doborze ludzi. Wszystkie te czynniki sprawiaj\'b9, \'bfe jest on wr\'eacz idea\'b3em kie\-rownika teatru.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid14489730\charrsid8725195 
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