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\f0\insrsid12600299\charrsid8725195  Cudowne poczynania odrodzonego teatru w Polsce Ludowej}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 
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\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 Z g\'b3\'eabokim wzruszeniem spogl\'b9da\'b3em na budynek teatru przy ulicy Cegielnianej (obecnie Stefana Jaracza). Tu m\'f3j \'bfywio\'b3 \emdash  ogie\'f1 strawi\'b3 ambitn\'b9 prac\'ea
 mojej m\'b3odo\'9cci i przerwa\'b3 do\'9c\'e6 cieka\-wie rozpocz\'eat\'b9 dzia\'b3alno\'9c\'e6 artystyczno-spo\'b3eczn\'b9. Tu, na tym cuchn\'b9cym podw\'f3reczku, przechadza\'b3em si\'ea kiedy\'9c snuj\'b9c marzenia i buduj\'b9c wielkie plany przy\-sz
\'b3ego swojego dyrektorstwa; tu r\'f3wnie\'bf spogl\'b9da\'b3em na buchaj\'b9ce p\'b3omienie i k\'b3\'eaby dymu, kt\'f3re w ci\'b9gu p\'f3\'b3 godziny obr\'f3ci\'b3y w perzyn\'ea nie tylko gmach tea\-tru, ale i gmach cudownych moich zamys\'b3\'f3w i \'9c
mia\-\'b3ych plan\'f3w. Trudno! Fortuna toczy si\'ea ko\'b3em i \'bfycie bez \'bfadnych przestoi biegnie niepowstrzyman\'b9 fal\'b9. Tym razem znalaz\'b3em si\'ea w mie\'9ccie, kt\'f3re by\'b3o cen\-trum odradzaj\'b9cej si\'ea ojczyzny, gdzie si\'ea
 zgrupowa\'b3y wszystkie naczelne instytucje pa\'f1stwowe i gdzie, mi\'ea\-dzy innymi, zaczyna\'b3 bi\'e6 \'bfywym, mocnym pulsem no\-wy teatr. Czu\'b3o si\'ea wyra\'9fnie o\'bfywczy podmuch rewo\-lucyjnego wichru, kt\'f3ry brutalnie, ale z ca\'b3\'b9
 konsek\-wencj\'b9 obraca\'b3 ko\'b3o historii, tworz\'b9c nowe warto\'9cci i nowych ludzi. To pobudza\'b3o do czynu, to nape\'b3nia\'b3o energi\'b9 i niezwyk\'b3ym entuzjazmem. Najwyra\'9fniej ro\-zumia\'b3em, \'bfe i m\'f3
j ukochany teatr bezpowrotnie za\-mkn\'b9\'b3 jeden tom swojej historii, aby na nie zapisa\-nych kartkach nowej rzeczywisto\'9cci budowa\'e6 nowy teatr rewolucyjny, s\'b3u\'bf\'b9cy ca\'b3emu narodowi, teatr,}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\insrsid12600299\charrsid8725195  }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 kt\'f3ry by nie tylko bawi\'b3}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 , ale uczy\'b3, wzrusza\'b3 i by\'b3 jed}{\rtlch\fcs1 \af0 
\ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 \-nym z najpopularniejszych wsp\'f3\'b3tw\'f3rc\'f3w nowej kul\-tury. Ogarn\'ea\'b3o nas, ludzi teatru, poczucie jakiej\'9c prze\-ogromnej odpowiedzi}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 alno
\'9cci i pe\'b3nej \'9cwiadomo\'9cci no}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 wych zada\'f1, jakie przed nami i przed naszym teatrem stawia chwila dziejowa. Z ca\'b3ym entuzjazmem rzuci\-li\'9cmy si\'ea
 w wir pracy. Po paru tygodniach pr\'f3b wy\-st\'b9pili\'9cmy z \'84Weselem\'94 Wyspia\'f1skiego; z utworem, kt\'f3ry tak wielk\'b9 rol\'ea odegra\'b3 w mojej karierze tea\-tralnej i kt\'f3ry stanowi\'b3 bodaj szczytowe osi\'b9gni\'ea
cie w pierwszym okresi}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 e mojego dyrektorstwa w tym pro}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 letariackim mie\'9ccie. Tym razem gra\'b3em skromniutk\'b9 rol\'ea Ksi\'ea
dza, ale gra\'b3em j\'b9 z najwy\'bfszym pietyzmem i wzruszeniem, dobrze pami\'eataj\'b9c, jak \'84Wesele\'94 do\-ciera\'b3o do \'9cwiadomo\'9cci klasy robotniczej. I obecnie na widowni mieli\'9cmy stale wzrastaj\'b9c\'b9 ilo\'9c\'e6 widz\'f3w ro\-botnik
\'f3w. Teatr mia\'b3 olbrzymie powodzenie: widzia\'b3o si\'ea najwyra\'9fniej olbrzymi g\'b3\'f3d, t\'ea \'bfywio\'b3ow\'b9 potrzeb\'ea, kt\'f3ra pcha\'b3a najszersze warstwy naszego spo\'b3ecze\'f1\-stwa do teatru.}{\rtlch\fcs1 \af0 \ltrch\fcs0 
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\'9cmierci naj\-wi\'eakszego z naszych koleg\'f3w, niezapomnianego Stefa\-na Jaracza. Zna\'b3em go od czas\'f3w krakowskich, kiedy jako student wydzia\'b3u filologicznego rozpoczyna\'b3 wraz z Osterw\'b9 i Dul\'eabiank\'b9 prac\'ea
 w Teatrze Ludowym pod dyrekcj\'b9 Gabrielskiego. Potem wsp\'f3\'b3pracowa\'b3em z nim w Teatrze im. S\'b3owackiego, a p\'f3\'9fniej, za czas\'f3w mojej pierwszej \'b3\'f3dzkiej dyrekcji, Stefan Jaracz by\'b3 prawdziw\'b9 ozdob\'b9 naszego zespo\'b3u
 artystycznego. I tu w ci\'b9gu dw\'f3ch lat wyr\'f3s\'b3 na wielkiego artyst\'ea, kt\'f3rym s\'b3usznie szczyci\'b3a si\'ea Polska Ludowa. A oto z\'b3amany kilkumiesi\'eacznym pobytem w O\'9cwi\'eacimiu, trawiony gru\'9flic\'b9, wielki ten aktor tak wcze
\'9cnie odszed\'b3 od nas, w chwili najwy\'bfszego rozkwitu swego bujnego talentu i g\'b3\'eabokiego zrozumienia roli teatru i aktorstwa w wielkim dziele budowania nowej rzeczywisto\'9cci. By\'b3a to strata wr\'eacz niepowetowana, ale \'bfycie jest nie\-
ub\'b3agane, historia toczy si\'ea wartkim ko\'b3em, nie zatrzy\-muj\'b9c si\'ea ani na sekund\'ea i nie licz\'b9c si\'ea wcale ze \'9cmierci\'b9 nawet najpotrzebniejszych, zgo\'b3a niezast\'b9pio\-nych jednostek. Odszed\'b3 Jaracz, odesz\'b3
o tylu innych znakomitych naszych koleg\'f3w, ale teatr istnieje nadal, rozwija si\'ea i spe\'b3n}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 ia wielk\'b9 rol\'ea wyznaczon\'b9 mu prz}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\insrsid12600299\charrsid8725195 ez histori\'ea.}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\cf0\insrsid12600299\charrsid8725195 
\par }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 Jednocze\'9cnie z teatrem rzuci\'b3em si\'ea w wir tak bar\-dzo przeze mnie umi\'b3owanej pracy pedagogicznej. Z polecenia \'f3wczesnego ministra kultury i sztuki Ko\-walskiego mia\'b3
em powo\'b3a\'e6 do \'bfycia na terenie \'a3odzi instytucj\'ea, b\'ead\'b9c\'b9 kontynuacj\'b9 Pa\'f1stwowego Instytu\-tu Sztuki Teatralnej. Robota by\'b3a bardzo ci\'ea\'bfka i na\-je\'bfona wieloma, zdawa\'b3o si\'ea, nieprzezwyci\'ea\'bfonymi trudno
\'9cciami. Pierwotnie gnie\'9fdzili\'9cmy si\'ea w trzech ma\'b3ych, brudnych, ciemnych, wilgotnych pokoikach w mrocznej oficynie gmachu teatralnego. Skompleto\-wanie zespo\'b3u nauczycielskiego przedstawia\'b3o tak\'bfe przeogromne trudno\'9cc}{
\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 i. Wst\'eapny egzamin licznie zg\'b3a}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 szaj\'b9cej si\'ea m\'b3odzie\'bfy odbywa\'b3 si\'ea w malarni teatral\-nej na poddaszu za scen\'b9
, dok\'b9d prowadzi\'b3y niemi\'b3o\-siernie strome, kr\'eacone schodki \'bfelazne. Zr\'eaczne prze\-bycie tej drabinki kwalifikowa\'b3o ludzi raczej do cyrku ni\'bf do teatru. Wszystkie te braki wynagradza\'b3 jednak entuzjazm m\'b3odzie\'bf
y i jako tako skompletowanego ze\-spo\'b3u wyk\'b3adowc\'f3w, w\'9cr\'f3d kt\'f3rych znalaz\'b3a si\'ea nieza\-pomniana, nieod\'bfa\'b3owana Jadwiga Turowicz, jeden z najwybitniejszych pedagog\'f3w w tej dziedzinie i naj\-serdeczniejsza przyjaci\'f3\'b3
ka naszej m\'b3odzie\'bfy. Po roku tego tu\'b3aczego \'bfywota otrzymali\'9cmy \emdash  tym razem pi\'eakny, w pe\'b3ni odpowiadaj\'b9cy swoim zadaniom \emdash  lo\-kal na parterze wspania\'b3ego pa\'b3acu Pozna\'f1skich, nie\-gdy\'9c
 siedziby wielkich fabrykant\'f3w \'b3\'f3dzkich. Tu mie\-li\'9cmy wspania\'b3\'b9 sal\'ea gimnastyczn\'b9, cztery ob}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 szerne audytoria, przestronne p}{\rtlch\fcs1 \af0 \ltrch\fcs0 
\f0\insrsid12600299\charrsid8725195 omieszczenie na kancelari\'ea,}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195  }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 obszerny hall, w kt\'f3rym zorganizowali\'9cmy sto\'b3
\'f3wk\'ea, i kilka pojedynczych, niewielkich pokoi; s\'b3owem \emdash  lokal niemal idealny. W tym czasie powr\'f3ci\'b3 z oflagu kolega Leon Schiller i obj\'b9\'b3 kierownictwo powstaj\'b9ce\-go wydzia\'b3u re\'bfyserskiego. Teatr i szko\'b3a wype\'b3
nia\'b3y mi \'bfycie bez reszty. W teatrze w tym czasie wysta\-wiali\'9cmy wspania\'b3\'b9 \'84Elektr\'ea\'94 }{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\lang1036\langfe1036\langnp1036\langfenp1036\insrsid12600299\charrsid8725195 Giraudoux }{\rtlch\fcs1 \af0 
\ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 w re\'bfyserii Edmunda Wierci\'f1skiego. Gra\'b3em trudn\'b9 i niezmiernie skomplikowan\'b9, niezwykle bogat\'b9 rol\'ea \'afebraka. Dwu\-miesi\'eaczna praca nad \'84Elektr\'b9\'94 i z g\'f3r\'b9 sze\'9c\'e6
dziesi\'b9t jej przedstawie\'f1 by\'b3y \emdash  obok roli Majora w \'84F}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299 an}{\rtlch\fcs1 \af0 \ltrch\fcs0 \f0\insrsid12600299\charrsid8725195 tazym\'94, kt\'f3r\'b9 w dwa lata p\'f3\'9fniej gra\'b3
em na scenie Teatru Polskiego w Warszawie, r\'f3wnie\'bf w re\'bfyserii Edmunda Wierci\'f1skiego \emdash  najg\'b3\'eabszymi moimi prze\-\'bfyciami teatralnymi po wojnie. Niezwykle m\'b9dra, wnikliwa, tw\'f3rcza re\'bfyseria, idealny stosunek Wierci\'f1\-
skiego do aktor\'f3w, wspania\'b3e dekoracje i kostiumy Teresy Roszkowskiej \emdash  z\'b3o\'bfy\'b3y si\'ea na widowisko wy\-j\'b9tkowo ciekawe i stanowi\'b9ce jedno z najwy\'bfszych osi\'b9gni\'ea\'e6 artystycznych teatru w okresie powojennym.}{
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